Steven Holl
life
Steven Holl (born December 9, 1947) is a New York-based American architect and watercolorist.
Holl graduated from the University of Washington and pursued architecture studies in Rome in 1970. In 1976, he attended graduate school at the Architectural Association School of Architecture in London and established his offices in New York City. Steven Holl leads his 40-person office with partners Chris McVoy and Noah Yaffe. Holl has taught at Columbia University since 1981.
Holl's architecture has undergone a shift in emphasis, from his earlier concern with typology to his current concern with a phenomenological approach; that is, with a concern for man's existentialist, bodily engagement with his surroundings. The shift came about partly due to his interest in the writings of philosopher Maurice Merleau-Ponty and architect-theorist Juhani Pallasmaa.
Holl won first prize in the Amerika-Gedenkbibliothek International Library Design Competition in 1988, an expansion and renovation of the American Memorial Library in Berlin. In February, 1989 Holl's work was exhibited in a solo show at the Museum of Modern Art (MoMA) in New York City. MoMA later purchased twenty-five works by Holl for the museum's permanent collection. In the 1992 competition for a new contemporary arts museum in Helsinki, Finland, Holl's entry, entitled "Chiasma," won first prize out of more than five hundred international entries. The museum opened to the public in 1998, having permanently adopted the name "Kiasma," the Finnish translation of "chiasma."
In designing St. Ignatius Chapel (built 1994-1997), Jesuit chapel at Seattle University, Holl addressed the campus's need for green space by siting the chapel in the center of a former street and elongating the building plan. New green campus quadrangles were formed to the north, west, and south, and a future quadrangle is planned to the east. The plan of the chapel won a design award in the American Institute of Architects of New York. Holl designed the Chapel to symbolize "seven bottles of light in a stone box," by creating seven volumes of different light. Each volume represents a different part of Jesuit Catholic worship, and has differently colored glass so that various parts of the building are marked out by colored light. Light sources are tinted both in this way and by indirect reflection from painted surfaces, and each is paired with its complementary color.
Holl graduated from the University of Washington and pursued architecture studies in Rome in 1970. In 1976, he attended graduate school at the Architectural Association School of Architecture in London and established his offices in New York City. Steven Holl leads his 40-person office with partners Chris McVoy and Noah Yaffe. Holl has taught at Columbia University since 1981.
Holl's architecture has undergone a shift in emphasis, from his earlier concern with typology to his current concern with a phenomenological approach; that is, with a concern for man's existentialist, bodily engagement with his surroundings. The shift came about partly due to his interest in the writings of philosopher Maurice Merleau-Ponty and architect-theorist Juhani Pallasmaa.
Holl won first prize in the Amerika-Gedenkbibliothek International Library Design Competition in 1988, an expansion and renovation of the American Memorial Library in Berlin. In February, 1989 Holl's work was exhibited in a solo show at the Museum of Modern Art (MoMA) in New York City. MoMA later purchased twenty-five works by Holl for the museum's permanent collection. In the 1992 competition for a new contemporary arts museum in Helsinki, Finland, Holl's entry, entitled "Chiasma," won first prize out of more than five hundred international entries. The museum opened to the public in 1998, having permanently adopted the name "Kiasma," the Finnish translation of "chiasma."
In designing St. Ignatius Chapel (built 1994-1997), Jesuit chapel at Seattle University, Holl addressed the campus's need for green space by siting the chapel in the center of a former street and elongating the building plan. New green campus quadrangles were formed to the north, west, and south, and a future quadrangle is planned to the east. The plan of the chapel won a design award in the American Institute of Architects of New York. Holl designed the Chapel to symbolize "seven bottles of light in a stone box," by creating seven volumes of different light. Each volume represents a different part of Jesuit Catholic worship, and has differently colored glass so that various parts of the building are marked out by colored light. Light sources are tinted both in this way and by indirect reflection from painted surfaces, and each is paired with its complementary color.